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postproduction:start [2014/07/30 14:51] admin |
postproduction:start [2014/10/06 16:33] (current) 84.191.156.53 [Conversion Workflows] |
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Recording RAW images in general means that the image of the sensor is read out without any camera-internal manipulation. Each of the Images is stored as a single (lossless compressed) DNG Image file which contains the image data plus the Camera Settings you used during shooting - but only as meta data. So if you set a White Balance while shooting in Raw-Mode, this is not directly applied in-camera but will be in the process of "developing" the digital negative. The advantage of raw files is a 12-Bit Color depth compared to 10-Bit in Prores, the disadvantage is a huge volumes of data being recorded. This means that you need a very fast SD-Card and the according setup to transfer, store and backup this data. | Recording RAW images in general means that the image of the sensor is read out without any camera-internal manipulation. Each of the Images is stored as a single (lossless compressed) DNG Image file which contains the image data plus the Camera Settings you used during shooting - but only as meta data. So if you set a White Balance while shooting in Raw-Mode, this is not directly applied in-camera but will be in the process of "developing" the digital negative. The advantage of raw files is a 12-Bit Color depth compared to 10-Bit in Prores, the disadvantage is a huge volumes of data being recorded. This means that you need a very fast SD-Card and the according setup to transfer, store and backup this data. | ||
+ | ===== Conversion Workflows ===== | ||
+ | We also have a section on open source tools for video and audio conversion and manipulation, with some scripts that might be useful for your workflow: [[postproduction:FFMpegConversionWorkflows|FFMpeg Conversion Workflows]] |